Cameron Platter’s work in sculpture, painting, drawing, video, collage, poetry, tapestry, and web, appropriates and filters, in a highly personal and idiosyncratic way, the enormous amount of information available today. Blurring the distinction between high and low, his eclectic and multi-disciplinary approach to art making, typically draws from sources as disparate as fast food, art history, ecology, psychedelics, landscape, advertising, therapy, collage, and consumerism. Platter’s work has featured in exhibitions at MoMA, New York (Impressions from South Africa, 1965 to Now), SF MoMA (Public Intimacy: Art and Other Ordinary Acts in South Africa), The 55th ^{Venice Biennale (Imaginary Fact, Contemporary South African Art and the Archive), and Le Biennale de Dakar. His work has been featured in publications such as Artforum, The Los Angeles Times, The Guardian, The Wall Street Journal, Vice Magazine, NKA Journal of Contemporary African Art, L’Officiel, and Art Africa. His work is part of the permanent collections of institutions such as MoMA, New York, The Zietz MOCAA Collection, The Bass Museum of Art, The Margulies Collection, and the Iziko South African National Gallery. He lives and works in KwaZulu-Natal, South Africa.}