In Shiota's installation for Bangkok Art Biennale titled Eye of the Storm, 2022, thousands of sheets of white paper are connected by red ropes, swirling like a typhoon. The surrounding papers are wildly whirling and rustling as if blown by the wind, but the center stays calm and quiet. I am always interested in the striking contrast between the stillness of this typhoon-like structure center and the movement of the circumference. When you enter the eye of a typhoon, the winds are calm, there is little or no rain, and sometimes blue skies can be seen, but the wind pressure is strongest in the surrounding tropical cyclones. The true center of a violently moving thing may be surprisingly calm because of the centrifugal forces that cause it. The further away from that center, the stronger the wind speed and the greater the damage. I cannot help but feel that this strange natural phenomenon exists within human society and within the human heart.